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Snapshots In Time: A Trans Photo Project

B6: Snapshots in Time culminated in a member led photo exhibit, on the theme of authenticity.

Our private launch event was at Community Base in Brighton, on Sunday 14th July 2024, and the final project photos can be seen on display at The Queery, 46 George Street, Brighton, BN2 1RJ until Wednesday 31st July 2024.

Final Projects

Click on each title card for more details.
The text "CONSENSUS" in a large rounded font, with a black background with gold circles. The text "Phoenix" in a fancy calligraphy style font with a background of a drawing of an orange phoenix. The text "They're Eating Me!" in a bold font with a background of two photos of a white person in the woods surrounded by porcelain dolls. In the first photo they are pulling a disgusted face, and waving their hands in the air, and in the second photo they are laughing.The text "Bedroom Princess" in swirly font with a pink glitter background. The text "Escape. Beauty. Freedom." In a handwritten styled font with a background of 7 birds flying.

A white wall with fabric bunting along the top and two image arrangements hung on it. The larger of the arrangements has a single large photo under the title “Consensus”. The photograph has the artist herself in three different poses superimposed together. Below that is a block of text describing the photo and an artist Bio for Stacy Smith. The smaller arrangement has the same photograph but smaller and surrounded with handwritten annotations about the photos creation. It also has preliminary sketches and a test photo the artist produced first. Both arrangements are decorated with playing cards, the larger one also has coins.A white wall with a single large frameless glass fronted photo arrangement beside which are two blocks of text; the top block of text is an artist bio for Ember. The photo arrangement has a title in the centre which reads “Phoenix”. Each photograph has its own smaller title card. The top left photo is of a store mannequin wearing a white summer dress. The top right photo shows a leg being shaved in the bath. The bottom left photo depicts a letter in an envelope being burnt on the ground. The bottom right image is the artist herself, dressed in a black top, blue skirt and high heels, standing in a forest below a branch which forms an arch above her head.A white wall with a triptych of glass fronted frameless image mountings. Below each is a block of text, the leftmost of which is an artist bio for Vox Margo. The central mounting has a single portrait image of the artist laid on their back in the grass, arms above their head, wearing a short sleeved black crop top with white text on it and a chin strap of embroidered marguerite flowers. The mountings on either side have 2 landscape photos each. All these other photos depict the artist sitting in a forest surrounded by various arrangements of vintage porcelain dolls.A white wall with three large frameless photos hung in a triptych. Below the images are two large blocks of text; an artist bio for Mia Violet and a description of the photographs above. The photographs all depict the artist in her bedroom. In the centre photo she has her hair down and is wearing glasses, with both arms leaving the bottom of the frame. In the left and right photographs she is holding her phone up to take selfies, with her hair tied back and no glasses.A white wall on which a large black backing board is mounted with an arrangement of photos. Above the board is an artist bio for G Francis. On the board there is a background made of deep green rectangles, over which three photographs are arranged in two rows. All three photographs feature the artist shirtless and wearing a feathered mask on the top half of his face. The top row has 2 pictures, in which he peeks from behind a tree and examines a leaf closely. The final image below has the artist with arms outstretched to the sky, displaying the post surgical bruises on his chest. In between these photos is a title which reads “escape, beauty, freedom." At the bottom of this arrangement is a large block of text describing the work.

Return to main B6: Snapshots in Time page

Slices of 5 different photos. From left to right: A white person with medium length light brown hair. They are standing on a path with green bushes and trees around them. They are wearing a floral dress, with a black underbust corset, black chest harness, and black heels. A white person with long red hair whose face is mostly covered by a camera on a tripod. They are holding a gold coin in one hand, and pointing to it with the other, which has a gold wedding band on. Their hand that is pointing can be seen again in the foreground of the image, showing the photo is being taken in a mirror. A white person with short dark brown curly hair. They are laying on grass with their eyes closed, wearing round glasses, a beard made from embroidered marguerite flowers, and a black t-shirt with white text on. The text reads: "you ever think about how you'd have raised me differently if I'd been born with a penis? Cause you would have and that's messed up." A white person with bright red hair, wearing brown cat-eye glasses, a white off the shoulder top, fluffy cat ear hair clips, and pink lipstick. Their mouth is open, and they are leaning in towards the camera playfully. A white person standing in front of lots of green foliage. They have short brown hair, a beard and moustache wearing a feathery mask. Their chest is visible, with feathers over top surgery scars, and they are looking up. The URL www.omniartsgb.com is in the centre at the bottom of the 5 images.

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