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B6: Claude Cahun Inspired Photos

and is somewhat relaxed and open. Both the hand and the microphone are resting upon the black and white keys of a musical keyboard.

Defiant: Vox Margo

As a small, left handed person with dysgraphia, my hands have been something I’ve been aware of as being something that “others” me. It’s not that I don’t like them, it’s just that in many ways, they limit me, because of the society we live in.

I can only just span an octave on the piano. Microphones are often a little bigger than is comfortable in my hands. Desks, chairs, scissors, tools – and so much more – are not designed for me.

Despite all this, I am living an authentic life I love, as a teacher, a musician, a crafter, and creative human.


A pair of white hands. One hand holds a crochet needle. Both hands are engaged in the act of crocheting a square of yellow fabric, with a pattern of alternating holes and fabric. The hands are above a larger blanket or quilt, made out of a multicoloured selection of similar squares.

The Webs We Weave: G. Francis

When taking this Cahun-inspired photo of my hands, I decided to focus on something that I regularly do with my hands that feels authentic to me.

Creativity is a huge part of my life and something I enjoy engaging in for my mental wellbeing. Therefore, I decided to take this photo whilst I was crocheting myself a blanket – specifically a mood blanket where each colour correlates to my overall feeling about each day of the year.

I like how the theme of authenticity can be seen through the act of including crochet in my photo as well as in the actual piece that I was crocheting at the time.


A white hand open and outstretched palm up. The wrist of the hand is visible in the shot, with part of a complex tattoo, consisting of flowers, the end of ribbons and some kind of frame, mostly in red and pinks. The hand is above a table, with a mouse and pencil case visible. Below the table you can also see part of a computer keyboard.

On My Sleeve: Mia Violet

My tattoos are an expression of self-love. I chose to put one on each of my forearms so they’d always be visible.

They represent an external etching of my inner personality, the same personality that I had to hide and suppress for many years while being told it’s wrong.

Here my tattoo shows that this photo is of me, not anybody else, and that I’m proud to wear this part of myself literally on my sleeve.


A white person's hand, apparently holding a single coin, with the other hand pointing to it. The hands are reflected in a mirror, where it can be seen the first hand, in addition to the clearly visible coin, has a second palmed in the hand, whilst the pointing hand has a third coin held between thumb and finger. Both the second and third coin are invisible without the mirror alerting us to their existence. The mirror also reflects a chest of drawers beyond the camera.

Behind The Scenes: Stacy Smith

My hands aren’t particularly photogenic, as a habitual nail biter with a single wedding ring the most interesting thing about my hands are what I do with them.

This is a sort of hidden property they have, which is especially fitting as hiding things in my hands is one of the fundamental aspects of the sleight of hand I perform.


A white person's hand, with only fingers and a thumb holding a rolled, lit cigarette visible. The hand is shot above a grass verge. The picture is in black and white.

Communal Smoke: Ember Overal

This photo, taken by Esme Featherstonhaugh, a friend of the model and conceptualist, is on the theme of hands.

For the model, Ember, cigarettes are a communal thing, sharing with her friends, bringing relation, peace and decompression.

The cigarette builds camaraderie, and, to the conceptualist, is aesthetically pleasing.


A distorted black and white picture. A single white hand, over laid on itself in the picture, giving the impression of more or longer fingers than are really there. One of the fingers has a ring, also doubled, with two triangles with three holes in each triangle.


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